CLIFFORD RAINEY
  • Biography
    • Short Personal Biography
    • Education and Professonal Experience
    • Solo Exhibitions
    • Group Exhibitions
    • Public Collections
    • Works in Public Places
  • Sculptural Works
    • Early Works
    • The Human Form
    • Cultural/Environmental
    • Bottle/Coca Cola Form
    • Boyhood Series
    • In The Beginning Was Black Series
    • Editions
    • Public and Private Commissions
  • Works on Paper
    • Preparatory Drawings
    • Portrait Drawings
    • In The Beginning Was Black Sketchbook
    • Prints
    • Burn Drawing Series
    • Recent
  • Studio
  • The Digital Age
    • Drawings and Prototypes
    • Despairing Adolescent
  • Media
    • Essays
      • Sculpture & Drawing, Liam Kelly, 1987
      • The Art of Craft, Timothy Anglin Burgard, 1999
      • Boyhood, Maria Porges, 2005
      • HEAD-ON, Richard Speer, 2008
    • Interviews
      • The Savage Approach - Clifford Rainey, Max Jacquard, 1989
      • Clifford Rainey, Art Documentation, and Aesthetic Fundamentalism, Detroit Art Quarterly, 1992
    • The Scripps Research Institute, Breath, 2005
    • Reviews
      • ARTS REVIEW, The Piccadilly Gallery, Mary Rose Beaumont, 1988
      • Clifford Rainey, Heller Gallery, Richard Kollath, 1990
      • Homo Faber, Dorothy Weiss Gallery, 1997
      • Sculpture Magazine, Dorothy Weiss Gallery, Maria Porges, 1998
      • An Obsessive Image, Habatat Galleries, Marsha Miro, 2000
      • Boyhood, Habatat Galleries, William Warmus, 2006
    • Video
  • The Sarco Creek Project
  • Contacts
    • Gallery
    • Studio
  • Curriculum Vitae
  • Login
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